{"id":14956,"date":"2025-08-01T10:34:21","date_gmt":"2025-08-01T13:34:21","guid":{"rendered":"https:\/\/tridentnewspaper.com\/?p=14956"},"modified":"2025-08-01T10:34:21","modified_gmt":"2025-08-01T13:34:21","slug":"every-one-of-these-pieces-tells-a-story","status":"publish","type":"post","link":"https:\/\/tridentnewspaper.com\/fr\/every-one-of-these-pieces-tells-a-story\/","title":{"rendered":"\u00ab Chacune de ces pi\u00e8ces raconte une histoire \u00bb"},"content":{"rendered":"
\"\"
Le personnel du mus\u00e9e s'est efforc\u00e9 de pr\u00e9senter une vari\u00e9t\u00e9 de supports artistiques diff\u00e9rents lors du choix des pi\u00e8ces \u00e0 inclure dans la nouvelle exposition.
SUBMITTED \/ SOUMIS<\/figcaption><\/figure>\n

\u00ab Chacune de ces pi\u00e8ces raconte une histoire \u00bb<\/span><\/b><\/h3>\n

Un regard approfondi sur la derni\u00e8re exposition du Mus\u00e9e naval de Halifax<\/span><\/i><\/p>\n

Par Joanie Veitch,<\/span><\/b>\u00a0<\/span><\/p>\n

L'art naval est une tradition de longue date qui ne se contente pas de retracer l'histoire des navires et des batailles, mais qui t\u00e9moigne \u00e9galement des hommes, de leurs sacrifices et de leurs histoires. La nouvelle exposition du Mus\u00e9e naval d'Halifax, intitul\u00e9e \u00ab Les pigments de la mer : capturer des moments et des souvenirs de la marine \u00bb, met ces histoires \u00e0 l'honneur.<\/p>\n

\"\"<\/p>\n

L'art naval est une tradition de longue date qui ne se contente pas de retracer l'histoire des navires et des batailles, mais qui t\u00e9moigne \u00e9galement des hommes, de leurs sacrifices et de leurs histoires. La nouvelle exposition du Mus\u00e9e naval d'Halifax, intitul\u00e9e \u00ab Les pigments de la mer : capturer des moments et des souvenirs de la marine \u00bb, met ces histoires \u00e0 l'honneur.<\/p>\n

C'est en voyant certaines \u0153uvres de Bennett que l'id\u00e9e de cette nouvelle exposition m'est venue, a d\u00e9clar\u00e9 Jennifer Gamble, conservatrice au Mus\u00e9e naval d'Halifax.<\/span>\u00a0<\/span><\/p>\n

\u00ab Elles m'ont imm\u00e9diatement interpell\u00e9e. Ses \u0153uvres nous font r\u00e9fl\u00e9chir \u00e0 la perte \u2013 tant de personnes ont perdu la vie \u2013 et nous rappellent qu'il y a bien plus que les faits d'une bataille particuli\u00e8re. Il y a eu d'\u00e9normes sacrifices sur le plan personnel. \u00bb<\/span>\u00a0<\/span><\/p>\n

L'ancien directeur du mus\u00e9e, aujourd'hui directeur \u00e9m\u00e9rite, Richard Sanderson, a mis en lumi\u00e8re certaines des histoires qui se cachent derri\u00e8re les \u0153uvres d'art lors de son discours \u00e0 la r\u00e9ception d'ouverture de l'exposition. Citons par exemple l'origine de Trawlers off Halifax Harbour, une lithographie d'Arthur Lismer, membre du c\u00e9l\u00e8bre Groupe des Sept. L'\u0153uvre repr\u00e9sente des chalutiers de classe Castle peints d'un camouflage \u00e9clatant. \u00c0 l'\u00e9poque, Lismer \u00e9tait directeur de l'\u00c9cole d'art et de design de Victoria (aujourd'hui le Coll\u00e8ge d'art et de design de la Nouvelle-\u00c9cosse) et \u00e9tait fascin\u00e9 par ces navires aux couleurs vives. D\u00e9termin\u00e9 \u00e0 les dessiner, il s\u2019est plusieurs fois heurt\u00e9 aux restrictions de la s\u00e9curit\u00e9 portuaire. Finalement, il a \u00e9crit \u00e0 la National Gallery pour demander de l'aide. Eric Brown, alors directeur de la galerie et figure cl\u00e9 du Comit\u00e9 consultatif des artistes de guerre canadiens, lui r\u00e9pondit en nommant Lismer artiste de guerre officiel pendant la Premi\u00e8re Guerre mondiale. Lismer a ensuite r\u00e9alis\u00e9 plusieurs \u0153uvres inspir\u00e9es par la guerre.<\/p>\n

\u00ab Chacune de ces pi\u00e8ces raconte une histoire, et il y a toujours une histoire derri\u00e8re l'histoire \u00bb, a d\u00e9clar\u00e9 Sanderson.<\/span>\u00a0<\/span><\/p>\n

La s\u00e9lection des \u0153uvres expos\u00e9es parmi les plus de 300 \u0153uvres d'art de la collection du mus\u00e9e a pris plusieurs mois. Il a fallu d\u00e9baller les objets entrepos\u00e9s afin de d\u00e9terminer ceux qui correspondaient aux th\u00e8mes g\u00e9n\u00e9raux et ceux qui pouvaient mat\u00e9riellement s\u2019int\u00e9grer dans l'espace disponible au deuxi\u00e8me \u00e9tage du mus\u00e9e. L'objectif \u00e9tait de pr\u00e9senter une histoire chronologique de la Marine royale canadienne tout en mettant en valeur une vari\u00e9t\u00e9 de m\u00e9dias artistiques. L'exposition comprend des aquarelles, des peintures \u00e0 l'huile, des croquis au fusain, des lithographies, des photographies et bien plus encore.<\/span>\u00a0<\/span><\/p>\n

\u00ab Nous avons tellement d'\u0153uvres d'art dans notre collection que nous aurions facilement pu doubler la taille de l'exposition. Il n'a donc pas \u00e9t\u00e9 facile de faire un choix \u00bb, a d\u00e9clar\u00e9 Sanderson en jetant un coup d'\u0153il autour de la galerie. \u00ab J'aurais aim\u00e9 que l'exposition occupe tout l'espace, du sol au plafond, mais on m'a rappel\u00e9 que ce n'\u00e9tait tout simplement pas possible. Je pense que nous avons finalement trouv\u00e9 le bon \u00e9quilibre. \u00bb<\/span>\u00a0<\/span><\/p>\n

\u00ab L'art est un merveilleux moyen de parler des \u00e9v\u00e9nements sans avoir recours aux mots \u00bb, a-t-il ajout\u00e9.<\/span>\u00a0<\/span><\/p>\n

La plupart des \u0153uvres de la collection du mus\u00e9e sont conserv\u00e9es dans les rayonnages situ\u00e9s au sous-sol de l\u2019\u00c9difice de l'Amiraut\u00e9. Certaines sont pr\u00eat\u00e9es \u00e0 d'autres galeries et mus\u00e9es, tandis que d'autres sont expos\u00e9es dans des bureaux et des b\u00e2timents de la base des Forces canadiennes d'Halifax et du chantier naval de Sa Majest\u00e9.<\/span>\u00a0<\/span><\/p>\n

\u00ab Notre collection est si riche et si vari\u00e9e que nous aurions facilement pu consacrer une exposition uniquement aux aquarelles ou aux huiles, mais nous avons d\u00e9cid\u00e9 de mettre en valeur la diversit\u00e9 des techniques utilis\u00e9es \u00bb, explique Gamble.<\/span>\u00a0<\/span><\/p>\n

Outre des repr\u00e9sentations de navires au combat, telles que HMS Shannon in Battle with USS Chesapeake (Le HMS Shannon en bataille avec l'USS Chesapeake) et HMCS Assiniboine Sinking the German Submarine U-210 (Le NCSM Assiniboine coulant le sous-marin allemand U-210) de l'artiste halifaxien Tom Forrestall, l'exposition comprend une photographie de Yousef Karsh repr\u00e9sentant Adelaide Sinclair, commandante du Service f\u00e9minin de la Marine royale canadienne, ainsi qu'une lithographie du caricaturiste et illustrateur halifaxien Bob Chambers intitul\u00e9e In the Public Gardens (Dans les jardins publics), repr\u00e9sentant un marin am\u00e9ricain, un marin de la MRC et un aviateur de l'Aviation royale canadienne assis sur un banc dans les jardins publics d'Halifax.<\/p>\n

\"\"
Parmi les \u0153uvres d'art expos\u00e9es, Tom Forrestall a r\u00e9alis\u00e9 en 1944 une \u0153uvre intitul\u00e9e Corvette en mer : K-149.<\/figcaption><\/figure>\n

L'une des plus petites pi\u00e8ces de l'exposition est une carte de visite, un type de carte postale tr\u00e8s populaire dans les ann\u00e9es 1860, repr\u00e9sentant l\u2019\u00c9difice de l'Amiraut\u00e9.<\/p>\n

\u00ab Elle a \u00e9t\u00e9 trouv\u00e9e dans un march\u00e9 aux puces aux \u00c9tats-Unis, en Alabama \u00bb, explique Gamble. \u00ab L'homme qui l'a trouv\u00e9e avait visit\u00e9 Halifax et l'a reconnue, alors il nous a contact\u00e9s. Il l'a achet\u00e9e pour quelques centimes. \u00bb Le personnel du mus\u00e9e pense que la carte postale a pu arriver en Alabama pendant la guerre de S\u00e9cession, lorsque Halifax \u00e9tait consid\u00e9r\u00e9e comme un territoire neutre et accueillait de nombreux visiteurs conf\u00e9d\u00e9r\u00e9s.<\/p>\n

\u00ab Les cartes postales de ce type \u00e9taient imprim\u00e9es pour aider les gens \u00e0 s'orienter dans la ville \u00bb, explique Gamble. \u00ab L\u2019\u00c9difice de l'Amiraut\u00e9 \u00e9tait sans doute un point de rep\u00e8re important dans les ann\u00e9es 1860, nous pensons donc qu'elle a pu \u00eatre utilis\u00e9e par un visiteur conf\u00e9d\u00e9r\u00e9 qui l'a rapport\u00e9e chez lui. C'est l'histoire la plus plausible pour expliquer comment elle s'est retrouv\u00e9e l\u00e0-bas. \u00bb<\/span>\u00a0<\/span><\/p>\n

L'exposition a ouvert ses portes le 23 mai avec une r\u00e9ception au mus\u00e9e et se tiendra jusqu'au 31 d\u00e9cembre. Un guide \u00e9crit est \u00e0 la disposition des visiteurs et un audioguide sera bient\u00f4t disponible.<\/span>\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"

\u201cEvery one of these pieces tells a story\u201d A closer look at the Naval Museum of Halifax\u2019s newest exhibit By Joanie Veitch\u00a0 Naval art is a long-standing tradition that depicts more than just the historical record of ships and battles; it\u2019s a testament to the people, the sacrifices they made, […]<\/p>","protected":false},"author":2,"featured_media":14958,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[13],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"\n\u201cEvery one of these pieces tells a story\u201d | Trident Newspaper<\/title>\n<meta name=\"robots\" content=\"index, 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